Dr. Hanna Barbara Hölling

• Principal Investigator and Project Lead • Critical Conservation • Swiss National Science Foundation • 2026-30

• Project Lead • Natureculture Lab • Swiss National Science Foundation • BFH Network Grant Strategic Themes • 2024-25

• Principal Investigator and Project Lead • Activating Fluxus • Swiss National Science Foundation • 2022-26

• Principal Investigator and Project Lead • Performance: Conservation, Materiality, Knowledge • Swiss National Science Foundation • 2020-25

• Coordinator • Contemporary Art and Media Research Field • Institute Materiality in Art and Culture

• Y Module | Bern University of the Arts

• Summer Institute for Technical Studies in Art (SITSA) Harvard Art Museum | Havard University

• MA & BA History of Art, Materials and Technology, University College London, 2016-2022

• MA & PhD Cultures of Conservation, Bard Graduate Center New York, 2013-15

• Theory, philosophy and history of conservation

• Museums, collections and archives

• Subjects in art history and theory and in American and European Art created since the 1960s

• Media and technologies of the moving image

• Subjects in critical heritage studies and museology

• Critical conservation, transversal practices and experimental preservation

• Art, culture and materiality since the 1960s

• Conservation, care and practices of preservation

• Critical conservation and conservation theory

• Museums, collections, and cultures of collecting

• Institutionalisation and infrastructures of art and culture

• Performance, performativity, and live practices

• Time-based, media, and electronic art

• Film, video, installation, and expanded media

• Material culture, objects, and their changing lives

• Heritage, memory, and processes of transmission

• Naturecultures, landscape, and environmental humanities

• Environmental politics and practices of care

• Decolonial and transcultural approaches to conservation and heritage

• Trans- and interdisciplinary methodologies

• Art, materiality, and cultural practices since the 1960s, with particular attention to performance, film, video, installation, and time-based media
  • Conservation as a critical, epistemic, and transformative practice shaping objects, knowledge, institutions, and communities
  • Material culture approaches that move beyond ocularcentric understandings of art and cultural heritage
  • Museums, collections, and the institutional frameworks through which art and culture are preserved, transmitted, and valued
  • Care, naturecultures, and environmental humanities, addressing contemporary ecological and cultural challenges

• Hanna B. Hölling is Research Professor and Principal Investigator at HKB Bern University of the Arts, where she leads research projects funded by the Swiss National Science Foundation. Her research and teaching span art history and theory, material culture studies, museology and conservation, with a particular focus on art since the 1960s, time-based and performative practices, and the changing material and ecological conditions of cultural objects and heritage.
  
  A central strand of her work reconceptualizes conservation as a critical and epistemic practice concerned not only with the preservation of objects, but with questions of time, change, identity, materiality and care. More recently, her research has expanded towards naturecultures and the environmental humanities, investigating conservation in relation to interconnected cultural and ecological challenges.
  
  Hölling is also Senior Fellow at the Collegium Helveticum/ETH Zürich and Honorary Fellow in the Department of History of Art at University College London (UCL). Previously, she was Associate Professor of History of Art, Materials, and Technology at UCL, Andrew W. Mellon Visiting Professor at Bard Graduate Center in New York, and Head of Conservation at ZKM | Center for Art and Media Karlsruhe. She received her PhD in Art History and Cultural Studies from the University of Amsterdam and the Amsterdam School for Cultural Analysis.
  
  Her books include Paik’s Virtual Archive: Time, Change, and Materiality in Media Art (University of California Press, 2017) and Revisions—Zen for Film (Bard Graduate Center, 2015). She has also co-edited and edited numerous volumes, including Activating Fluxus, Expanding Conservation (Routledge, 2026), Performance: The Ethics and the Politics of Conservation and Care (Routledge, Vol. 1 2023 / Vol.2 2025), Object—Event—Performance: Art, Materiality, and Continuity Since the 1960s (Bard Graduate Center, 2022), Landscape (Vexer, 2020), and The Explicit Material: Inquiries on the Intersection of Curatorial and Conservation Cultures (Brill, 2019).

• 2025-26 Collegium Helveticum | ETH Zurich: Caring for Naturecultures

• 2024 BFH Bern University of Applied Sciences, Network Grant, Caring Society

• 2019-23 Global Engagement Fund, University College London

• 2019-2020 Terra Foundation for American Art Fellowship, Smithsonian American Art Museum

• 2016-2017 Getty Conservation Scholarship | Getty Research Institute, Los Angeles

• 2010-2011 The Courtauld Institute of Art, London: Research Forum The Material Life of Things

• Hölling, Hanna B., Aga Wielocha, and Josephine L. Ellis (Eds.). (2026) Activating Fluxus, Expanding Conservation. London and New York: Routledge, 2026. Open Access via Taylor & Francis and hard cover.

• Hölling, Hanna B., Jules Pelta Feldman, and Emilie Magnin (Eds.). (2025). Performance: The Ethics and the Politics of Conservation and Care, Volume II. Taylor & Francis.

• Hölling, Hanna B., Jules Pelta Feldman, and Emilie Magnin (Eds.). (2023). Performance: The Ethics and the Politics of Conservation and Care, Volume I. Taylor & Francis.

• Hölling, Hanna B. (ed.) (2022). Object, Event, Performance: Art, Materiality, and Continuity Since The 1960s. Cultural Histories of the Material World Series. New York: Bard Graduate Center.

• Hölling, Hanna B., and Johannes M. Hedinger (eds.), (2020). Landscape: Institute for Land and Environmental Art. Berlin: Vexer Verlag.

• Hölling, Hanna B., Francesca Bewer, and Katharina Ammann (eds.). (2019). The Explicit Material: Inquiries on the Intersection of Curatorial and Conservation Cultures. Boston and Leiden: Brill.

• Hölling, Hanna B. (2017). Paik's Virtual Archive: Time, Change, and Materiality in Media Art. Oakland: University of California Press.

• Hölling, Hanna B. (2015). Revisions - Zen for Film. New York: Bard Graduate Center, distr. by University of Chicago Press.

• Hölling, Hanna B. (2026). "Extended Play, Radical Preservation and the Politics of Silence." In Ken Friedman (Ed.), Zen for Record (pp. 105–137). Santa Barbara, CA: Punctum Books.

• Hölling, Hanna B., and Josephine L. Ellis (2026). "On Modes of Activity and Activation : An introduction." In H. B. Hölling, A. Wielocha, J. L. Ellis (Eds.), Activating Fluxus, Expanding Conservation (pp. 1–31). London and New York: Routledge.

• Hölling, Hanna B. (2026). "Fluxus Fetish : Conservation, Desire and Affect." In H. B. Hölling, A. Wielocha, J. L. Ellis (Eds.), Activating Fluxus, Expanding Conservation (pp. 74–97). London and New York: Routledge.

• Schneider Rebecca, and Hanna B. Hölling (2025) “Pas, encore. Quand notre art se trouve entre nos mains.” Traduit de l’anglais par Gauthier Lesturgie. In Les archives en performance, la performance en archive: Action, méthode, recherche, edited by Ross Luis and Anolga Rodionoff, 301-321. Paris, Éditions Hermann. French translation of Schneider and Hölling, Not Yet (Routledge 2023).

• Hölling, Hanna B., Jules Pelta Feldman, and Emilie Magnin (2025). “Introduction: Sustaining Care for Performance.” In H. B. Hölling, J. P. Feldman, and E. Magnin (Eds.), Performance: The Ethics and the Politics of Conservation and Care, Volume II (pp. 1–24). London and New York: Routledge.

• Hölling, Hanna B. (2025). “Once Upon a Time”: Performative Ultra-Conceptualism and Storytelling as Conservation—Florence Jung. In H. B. Hölling, J. P. Feldman, and E. Magnin (Eds.), Performance: The Ethics and the Politics of Conservation and Care, Volume II (pp. 27–50). London and New York: Routledge.

• Hölling, Hanna B. (2024). “Fluxus Mystery Food: Konservendosen, die durch Ben Vautiers performativen Akt und George Maciunas Label-Design populär wurden.” In Ina Jessen and Fabiana Senkpiel (Eds.), Lexikon der Lebensmittel als Kunstmaterial: Von Apfel bis Zucker (pp. 90–97). Berlin: Hatje Cantz.

• Hölling, Hanna B. (2024). “Veränderlichkeit kuratieren und konservieren.” In Simona Ciuccio, Katrin Weilenmann, and Katharina Ammann (Eds.), Aargauer Kunsthaus: Mit Gegenwartskunst umgehen – der neue Sammlungskatalog (pp. 162–175). Zurich: Scheidegger & Spiess. French translation below.

• Hölling, Hanna B. (2024). “Curating et conservation de la variabilité.” In Simona Ciuccio, Katrin Weilenmann, and Katharina Ammann (Eds.), Aargauer Kunsthaus – Accompagner l’art contemporain (pp. 162–175). Zurich: Scheidegger & Spiess. German version above.

• Hölling, Hanna B., Jules Pelta Feldman, and Emilie Magnin (2024). “Performance Conservation: A Condition Report, or a Para-Ethnography in Three Acts.” In S. Gebhardt Fink and A. Mirčev (Eds.), Revolving Documents: Narrations of Beginnings, Recent Methods and Cross-Mappings of Performance Art (pp. 155–172). Diaphanes.

• Hölling, Hanna B. (2024). “Pode a Performance ser Conservada? Introdução a um Campo Contestado.” Translated by Felipe Ribeiro. In M. I. Galvão and M. A. da C. Souza (Eds.), Dança como insurgência de criação e outros modos de ser (pp. 38–73). Associação Nacional de Pesquisadores em Dança – ANDA

• Rebecca Schneider and Hanna B. Hölling (2023). “Not, Yet: When Our Art Is in Our Hands: Rebecca Schneider, with Antiphonal Interludes by Hanna B. Hölling.” In H. B. Hölling, J. P. Feldman, and E. Magnin (Eds.), Performance: The Ethics and the Politics of Conservation and Care, Volume I (pp. 50–69). London and New York: Routledge.

• Hölling, Hanna B. (2023). “Notation and Eternity in Symphonie No. 5 and Liberation Sonata for Fish.” In Museum Ostwall im Dortmunder U and Rudolf Frieling (Eds.), Nam June Paik: I Expose the Music (pp. 109–114). Leipzig: Spector Books. German translation below.

• Hölling, Hanna B. (2023). “Notation und Ewigkeit in Symphonie No. 5 and Liberation Sonata for Fish.” In Museum Ostwall im Dortmunder U and Rudolf Frieling (Eds.), Nam June Paik: I Expose the Music (pp. 109–114). Leipzig: Spector Books. English version above.

• Hölling, Hanna B., Jules Pelta Feldman, and Emilie Magnin (2023). “Introduction: Caring for Performance.” In H. B. Hölling, J. P. Feldman, and E. Magnin (Eds.), Performance: The Ethics and the Politics of Conservation and Care, Volume I (pp. 1–20). London and New York: Routledge.

• Hölling, Hanna B. (2022). Introduction: Object—Event—Performance. In Holling, H.B. (Ed.), Object—Event—Performance: Art, Materiality and Continuity since the 1960s. (pp. 1-39). New York: Bard Graduate Center.

• Hölling, Hanna B. (2022). Can We Talk Post-Preservation? A letter to Nam June Paik. Preprint from invited lecture at the National Museum for Modern and Contemporary Art in Soul, South Korea.

• Hölling, Hanna B. (2021). Kunsthaus Zofingen: Baumfänger - Auszüge aus der Eröffnungsrede. In Waldner, C. (Ed.), Von Würzlen zu Wolken. (pp. 10-21). Kunsthaus Zofingen CH.

• Hölling, Hanna B. (2021). Über das Nichts, die Leere und die Langeweile. In Krüsi, A. (Ed.), Leere. (pp. 60-61). VGS St Gallen.

• Hölling, Hanna B. (2021). Zeit, Materialität, Authentizität in Paiks Medienkunst / Time, Materiality and Authenticity in Paik's Media Art. In Engel, C. (Ed.), Nam June Paik: Pre Bell Man - Eine Ikone der Medienkunst /An Icon of Media Art (German, English). (pp. 70-73). Frankfurt: Museum für Kommunikation Frankfurt.

• Hölling, Hanna B., Hedinger, Johannes M. (2020). Introduction to Landscape/Einführung zu Landscape. In Holling, Hanna B., Hedinger, Johannes M. (Eds.), Landscape: Institute for Land and Environmental Art. (pp. 2-7). Berlin: Vexer Verlag.

• Hölling, Hanna B. | 한나 B., 횔.링. (2020). Paik, Musically: Fluxus—Stockhausen—Cage. In Eunji, P.a.r.k. (Ed.), National Museum of Modern and Contemporary Art: The Legacy of Nam June Paik / 백남준, 음악적으로: 플럭서스—슈톡하우젠—케이지. Seoul: National Museum of Modern and Contemporary Art.

• Hölling, Hanna B. (2020). The Lands of Art: On the Shifting Grounds of Land Art (2016). In Holling, Hanna B., Hedinger, Johnanes M. (Eds.), Landscape: Institute for Land and Environmental Art. (pp. 52-69). Berlin: Vexer Verlag.

• Hölling, Hanna B., Francesca Bewer, and Katharina Ammann (2019). Introduction: Material Encounters. In Hölling, Hanna B., Bewer, Francesca, Ammann, Katharina (Eds.), The Explicit Material: Inquiries on the Intersection of Curatorial and Conservation Cultures. (pp. 1-16). Boston and Leiden: Brill.

• Hölling, Hanna B., Otero-Pailos, Jorge (2019). Materials, Objects, Transitions: Jorge Otero-Pailos in Conversation with Hölling, Hanna B., Bewer, Francesca, Ammann, Katharina (Eds.), The Explicit Material: Inquiries on the Intersection of Curatorial and Conservation Cultures. (pp. 255-272). Boston and Leiden: Brill.

• Hölling, Hanna B. (2019). Mídia transicional: permanência, recursividade e o paradigma da conservação. In Gobira, Pablo (Ed.), A memória do digital e outras questões das artes e museologia. (pp. 37-49). Belo Horizonte: Editora da Universidade do Estado De Minas Gerais, Brasil.

• Hölling, Hanna B. (2017). Sztuka i proces: kontynuacja, względny czas trwania i archiwum Fluxus. In Szmelter, Iwona (Ed.), Sztuka w procesie - proces w sztuce: Ku nowej filozofii ochrony dziedzictwa kultury. (pp. 50-61). Warszawa: Akademia Sztuk Pieknych w Warszawie.

• Hölling, Hanna B. (2017). 汉娜·霍玲, 白南准《禅之电影》的美学变化, 2016 (The Aesthetics of Change in Paik's Zen for Film, 2016). In Zhenhua, Lee (Ed.), Time-based, Non-places. (pp. 72-97). Shenzhen: 3rd Shenzhen Independent Animation Biennale & Alte Brücke Verlag.

• Hölling, Hanna B. (2015). The Archival Turn. In Manovich, Lev, Smite, Rasa, Smits, R. (Eds.), Data Drift: Archiving Media And Data Art In The 21st Century. (pp. 73-81). Riga: RIXC and Liepaja’s University Art Research Lab.

• Hölling, Hanna B. (2015). Die Wandelbarkeit von Objekten und Konzepten: Zur Erhaltung von computerbasierten Medien am Beispiel von I/Eye. In Heuken, Stephanie (Ed.), Die Vergänglichkeit des Materials. (pp. 135-155). Cologne: Verband Deutscher Restauratoren VDR.

• Hölling, Hanna B.(2015). The Aesthetics of Change: On the Relative Durations of the Impermanent. In Hermens, E., Robertson, F. (Eds.), Authenticity in Transition. London: Archetype Publications.

• Hölling, Hanna B. (2014). Dal recupero alla ri-medizione; pratiche di restauro per l’arte basate sull’utilizzo del computer nel caso di I/Eye (1993) di Bill Spinhoven van Oosten. (P. Martore Trans.). In Tra memoria e oblio: percosi nella conservazione dell’arte contemporanea. (pp. 229-250). Rome: Castelvecchi Publishers.

• Hölling, Hanna B. (2014). From Social to Technological Interactivity: Delegating the Act, Translating the Object. In Imesch-Ochslin, K. (Ed.), Hannes Schmid: Momentous II. (pp. 52-58). Beijing: Today Art Museum Beijing.

• Hölling, Hanna B., Bernhardt Serexhe, and Glenn Wharton (2013). Interview: Hanna Hölling, Bernhard Serexhe, Glenn Wharton. In Park, M., Seong, E.K., Sang, A.P. (Eds.), Nam June Paik Art Center Interviews. (pp. 90-118). Seoul: Nam June Paik Arts Center.

• Hölling, Hanna B. (2013). On the Identity of Nam June Paik’s Changeable Multimedia Installations in the Context of Their Conservation. In Park, M., Seong, E.K., Sang, A.P. (Eds.), Hanna Hoelling, Bernhard Serexhe, Glenn Wharton, Nam June Paik Art Center Interviews. (pp. 119-134). Seoul: Nam June Paik Art Center.

• Hölling, Hanna B. (2013). What’s Next? Translating Time, Transforming Objects in the Conservation of Multimedia. In Hedinger, J.M., Meyer, T. (Eds.), What's Next: Kunst Nach der Krise. (pp. 251-258). Berlin: Kulturverlag Kadmos.

• Hölling, Hanna B. (2012). Monitor’s Matters. In Proctor, J. (Ed.), Simon Denny: Full Participation. (pp. 185-187). Aspen: Aspen Art Press.

• Hölling, Hanna B. (2010). Konservierung. In Hedinger, J.M., Gossolt, M. (Eds.), Lexikon zur zeitgenössischen Kunst von Com&Com. (pp. 83-84). Zürich: Niggli Publishers.

• Hölling, Hanna B. (2026). "What of Conservation? After Permanence: On Decay as a Critical Ethics." In Herri (issue 13). herri.org.za (Issue 13).

• Auslander, Philip, and Hanna B. Hölling (2025) "Acts and Artefacts: Performance Beyond Ephemerality.” Arabeschi Rivista di studi su letteratura e visualità, no. 2.

• Hölling, Hanna B., and Sven Dupré (2025). "Natureculture Lab: A Reflection." News in Conservation, International Institute for the Conservation of Artistic and Historical Works, No. 108 (June-July 2025): 54-59.

• Hölling, Hanna B. (2022). "Matter Minding, or What the Work Wants: Aldo Tambellini’s Intermedia." Afterall, (52).

• Hölling, Hanna B. (2021). "Unpacking the Score: Notes on the Material Legacy of Intermediality." In On Curating: Fluxus Special Issue (Issue 51). University of the Arts Zurich.

• Hölling, Hanna B. (2021). "Assembling a Work of Art: An Annotated History of Fluxfilm No. 1." MAP - Media | Archive | Performance, 1 (11).

• Hölling, Hanna B. (2021). "Caring For Performance: Recent Debates." CeROArt: Conservation, Exposition, Restauration d'Objets d'Art, doi:10.4000/ceroart.8119

• Hölling, Hanna B.(2021). "Keeping Time: On Museum, Temporality and Heterotopia." ArtMatters: International Journal for Technical Art History, 47-54.

• Hölling, Hanna B. (2018). "Archive and Documentation." Art and Documentation Journal, 1 (17), 19-28.

• Hölling, Hanna B. (2017). “The Technique of Conservation: On Realms of Theory and Cultures of Practice.” Journal of the Institute of Conservation 40, no. 2: 87–96.

• Hölling, Hanna B. (2017). "Time and Conservation." International Council of Museums ICOM-CC, Copenhagen, 18th Triennial Conference Preprints

• Hölling, Hanna B. (2016). "Lost to Museums? Changing Media, Their Worlds, and Performance." Museum History Journal (special issue: Lost Museums edited by S. Lubar), doi:10.1080/19369816.2017.1257873

• Hölling, Hanna B. (2016). "The ‘Virtual Body of Art’: Reflections on the Impossibility of Material Continuation." Beiträge zur Erhaltung von Kunst- und Kulturgut, 2016 (1), 126-128.

• Hölling, Hanna B. (2016). “Transitional Media: Duration, Recursion, and the Paradigm of Conservation.” Studies in Conservation 61: 79–83.

• Hölling, Hanna B. (2014). "Seeking the Authentic Moment: De- and Re-Materializations in Paik’s Video and Multimedia Installations." Journal of the Australian Institute for the Conservation of Cultural Materials, 34 (1), 85-92.

• Hölling, Hanna B. (2014). "The Explicit Material: On the Intersections of Conservation, Art History and Human Sciences." Simulacrum - Tijdschrift voor kunst en cultuur, Kunsthistorisch Instituut University of Amsterdam, 23 (1), 20-27.

• Hölling, Hanna B. (2013). "Transcending Obsolescence in Technological Ruins? Questions of Conservation and Presentation in Nam June Paik’s Multimedia Installations." Necsus European Journal of Media Studies (Special Issue: Waste), (4), no pagination.

• Hölling, Hanna B. (2013). "Versions, Variations, and Variability: Ethical Considerations and Conservation Options for Computer-Based Art." Electronic Media Review of the American Institute for Conservation of Historic & Artistic Works, Washington DC., (2), 33-45.

• Hölling, Hanna B., Tatja Scholte, Sanneke Stigter, and Renee van de Vall (2011). "Reflections on a Biographical Approach to Contemporary Art Conservation." International Council of Museums, Conservation Committee ICOM CC, 1.

• Hölling, Hanna B. (2005). "Zur Konservierung des Environments The Portable War Memorial von Edward Kienholz." Kölner Museums-Bulletin, 39-48.

• Eric Andersen, Hanna B. Hölling, Aga Wielocha, and Josephine L. Ellis (2026). "Eric Andersen: On Change, Confusion and Amazement — A Conversation with Hanna B. Hölling, Aga Wielocha and Josephine Ellis." In H. B. Hölling, A. Wielocha, J. L. Ellis (Eds.), Activating Fluxus, Expanding Conservation (pp. 242–249). London and New York: Routledge.

• Philip Corner, Hanna B. Hölling, Aga Wielocha, and Josephine L. Ellis (2026). "Philip Corner: On creativity as discovery — A Conversation with Hanna B. Hölling, Aga Wielocha and Josephine Ellis." In H. B. Hölling, A. Wielocha, J. L. Ellis (Eds.), Activating Fluxus, Expanding Conservation (pp. 291–301). London and New York: Routledge.

• Ann Noël, Hanna B. Hölling, Aga Wielocha, and Josephine L. Ellis (2026). "Ann Noël: All We Need is to Keep a Sense of Humor — A Conversation with Hanna B. Hölling, Aga Wielocha and Josephine Ellis." In H. B. Hölling, A. Wielocha, J. L. Ellis (Eds.), Activating Fluxus, Expanding Conservation (pp. 232–241). London and New York: Routledge.

• Bengt af Klintberg, Hanna B. Hölling, Aga Wielocha, and Josephine L. Ellis (2026). "Bengt af Klintberg: On Fluxus, Folklore and Collecting Butterflies — A Conversation with Hanna B. Hölling, Aga Wielocha and Josephine Ellis." In H. B. Hölling, A. Wielocha; J. L. Ellis (Eds.), Activating Fluxus, Expanding Conservation</i> (pp. 261–270). London and New York: Routledge.

• Ken Friedman, Hanna B. Hölling, Aga Wielocha, and Josephine L. Ellis (2026). "Ken Friedman: I Loved the Work and Wanted to Make it Visible — A Conversation with Hanna B. Hölling, Aga Wielocha and Josephine Ellis." In H. B. Hölling, A. Wielocha, J. L. Ellis (Eds.), Activating Fluxus, Expanding Conservation (pp. 61–73). London and New York: Routledge. https://www.taylorfrancis.com/chapters/oa-edit/10.4324/9781003590071-4/ken-friedman-loved-work-wanted-make-visible%E2%80%94a-conversation-hanna-h%C3%B6lling-aga-wielocha-josephine-ellis-hanna-h%C3%B6lling-aga-wielocha-josephine-ellis

• Valinda Carroll, Kayla Henry-Griffin, Nylah Byrd, Ariana Makau, Hanna B. Hölling, Jules Pelta Feldman, and Emilie Magnin (2025). “Valinda Carroll, Kayla Henry-Griffin, Nylah Byrd, and Ariana Makau of Black Art Conservators on Black Objects, Performance, and the Future of Conservation — A Conversation with Hanna B. Hölling, Jules Pelta Feldman, and Emilie Magnin.” In H. B. Hölling, J. P. Feldman, and E. Magnin (Eds.), Performance: The Ethics and the Politics of Conservation and Care, Volume II (pp. 173–185). London and New York: Routledge.

• Urmimala Sarkar Munsi, Hanna B. Hölling, Jules Pelta Feldman, and Emilie Magnin (2025). “Urmimala Sarkar Munsi: Dance, Embodied Preservation, and Unlearning in India — A Conversation with Hanna B. Hölling, Jules Pelta Feldman, and Emilie Magnin.” In H. B. Hölling, J. P. Feldman, and E. Magnin (Eds.), Performance: The Ethics and the Politics of Conservation and Care, Volume II (pp. 263–277). London and New York: Routledge.

• Rosanna Raymond, Hanna B. Hölling, Jules Pelta Feldman, and Emilie Magnin (2025). “Rosanna Raymond on Conser.Vā.Tion: A Conversation with Hanna B. Hölling, Jules Pelta Feldman, and Emilie Magnin.” In H. B. Hölling, J. P. Feldman, and E. Magnin (Eds.), Performance: The Ethics and the Politics of Conservation and Care, Volume II (pp. 247–262). London and New York: Routledge.

• Joanna Leśnierowska and Hanna B. Hölling (2025). “Joanna Leśnierowska: Performance Conservation as a Political Act — A Conversation with Hanna B. Hölling.” In H. B. Hölling, J. P. Feldman, and E. Magnin (Eds.), Performance: The Ethics and the Politics of Conservation and Care, Volume II (pp. 293–304). London and New York: Routledge.

• Gisela Hochuli, Hanna B. Hölling, Jules Pelta Feldman, and Emilie Magnin (2025). “Gisela Hochuli: In Strange Hands — A Conversation with Hanna B. Hölling, Jules Pelta Feldman, and Emilie Magnin.” In H. B. Hölling, J. P. Feldman, and E. Magnin (Eds.), Performance: The Ethics and the Politics of Conservation and Care, Volume II (pp. 281–292). London and New York: Routledge.

• Eléonore Hellio, Michel Ekeba, Hanna B. Hölling, Emilie Magnin, Jacob Badcock, and Victoria Maly (2023). “Performing the ‘Mask’: Kongo Astronauts (Eléonore Hellio and Michel Ekeba) on Postcolonial Entanglements.” In H. B. Hölling, J. P. Feldman, and E. Magnin (Eds.), Performance: The Ethics and the Politics of Conservation and Care, Volume I (pp. 200–216). London and New York: Routledge.

• Shadreck Chirikure and Hanna B. Hölling (2023). “Innovation and Preservation: Shadreck Chirikure on the Performance of Heritage.” In H. B. Hölling, J. P. Feldman, and E. Magnin (Eds.), Performance: The Ethics and the Politics of Conservation and Care, Volume I (pp. 113–120). London and New York: Routledge.

• Kelli Morgan, Hanna B. Hölling, Jules Pelta Feldman, and Emilie Magnin (2023). “Peeling the Paint off the Walls: Kelli Morgan on Black Performance and Racial Justice in Western Institutions.” In H. B. Hölling, J. P. Feldman, and E. Magnin (Eds.), Performance: The Ethics and the Politics of Conservation and Care, Volume I (pp. 188–199). London and New York: Routledge.

• Cauleen Smith, Hanna B. Hölling, and Jules Pelta Feldman (2023). “Potential Afterlives: Cauleen Smith on the Relation of Film and Performance.” In H. B. Hölling, J. P. Feldman, and E. Magnin (Eds.), Performance: The Ethics and the Politics of Conservation and Care, Volume I (pp. 293–304). London and New York: Routledge.

• Hölling, Hanna B., and Johannes M. Hedinger (2022). "The Propensity to Openness: Bloch as Object, Event, Performance—Hanna B. Hölling in Conversation with Johannes M. Hedinger." In Holling, Hanna B. (Ed.), Object—Event—Performance: Art, Materiality and Continuity since the 1960s. (pp. 261-283). New York: Bard Graduate Center.

• Hölling, Hanna B. (2025). "Patina as Aesthetic, Epistemic and Political Agent in Contemporary Art.” Book review of Patina: Spuren der Vergangenheit in der Kunst der Gegenwart, eds. Irene Glanzer and Angela Matyssek, München: edition metzel, 2023. 21: Inquiries Into Art, History, And The Visual, Vol. 6 nr. 3; 1–6.

• Hölling, Hanna B. (2023). "Conserving Active Matter: Activating Conservation?" Book review of Conserving Active Matter, edited by Peter N. Miller and Soon Kai Poh (Bard Graduate Centre, 2022, distributed by the University of Chicago Press). In Zeitschrift für Kunstgeschichte (Vol. 86, Issue 3, pp. 426–432). De Gruyter.

• Hölling, Hanna B. ”Reflections on the Impossibility of Material Continuation.” Review of The Virtual Body of Art by Elzbieta Wysocka (Warsaw: Narodowe Centrum Kultury, 2013). The Moving Image: The Journal of the Association of Moving Image Archivists, 17, 1 (2017): 163-166.

• Hölling, Hanna B. “The ‘Virtual Body of Art’: Reflections on the Impossibility of Material Continuation.” Review of The Virtual Body of Art by Elzbieta Wysocka (Warsaw: Narodowe Centrum Kultury, 2013), Beiträge zur Erhaltung von Kunst- und Kulturgut, 2016 (1), 126-128.

• Hölling, Hanna B. (2020). "Archival Activations: Writings by Nam June Paik." Review of We Are in Open Circuits: Writings by Nam June Paik (MIT Press, 2019), edited by John G. Hanhardt, Gregory Zinman, and Edith Decker-Phillips. Metropolis M online. Published also in Dutch translation as Hölling, Hanna B. (2020). "Archiefactiveringen." Metropolis M, 41 (1), 42-45.

• Hölling, Hanna B. (2026). Caring for Naturecultures: Glaciers. Exhibition featuring works by Pepe Molina Cruz, Stefan Rohner, Adam Sébire, and Ester Vonplon. Curated by Hanna B. Hölling. Gallery & Laboratory, Collegium Helveticum, Zurich, June 12–July 10, 2026

• Hölling, Hanna B., Andrej Mirčev, Joanna Leśnierowska, Emilie Magnin, and Charles Wrapner. 2024. Yet to Come: Experiments in Reverse-Engineering and Conserving Performance. Exhibition featuring 20 works, September 14–29, 2024. Bern Academy of the Arts (HKB), Bern, Switzerland.

• Hölling, Hanna B. (2015-16). Revisions - Zen for Film. Exhibition featuring Nam June Paik's Zen for Film and accompanying 31 artworks by Cory Arcangel, John Baldessari, Robert Barry, Joseph Beuys, George Brecht, John Cage, Com&Com, Tony Conrad, Merce Cunningham, Guy Debord, Marcel Duchamp, Ceal Floyer, Ken Friedman, JODI (Joan Heemskerk and Dirk Paesmans), Yves Klein, Imi Knoebel, Joseph Kosuth, Christine Kozlov, Peter Kubelka, Kazimir Malevich, Christian Marclay, Nam June Paik, Robert Rauschenberg, Man Ray, Robert Ryman, Paul Sharits, Hiroshi Sugimoto, Mungo Thompson, Michel Verjux, Andy Warhol, and Lawrence Weiner. . Bard Graduate Center Gallery, New York.

• Hölling, Hanna B., and Johannes M. Hedinger (2015). Videosalon. Bard Graduate Center residency, West 58th St.

• Hölling, Hanna B. (2026). KEYNOTE: After Permanence: Critical Conservation, Performance, and the Expanded Field of Clay. Permanence/Impermanence: Collecting and archiving contemporary clay practices. V&A & The University of Westminster, London.

• Hölling, Hanna B. (2026). Opening lecture: After Permanence: Museums, Critical Ethics and the Work of Care. Immaterial Resistance: Preserving the Living, Tensing the Museal. Organized within the research project Performance and Curating: Performative Transformations of Curating, Collecting and Spectatorship from a comparative Perspective: Spain, Portugal, Brazil and Argentina, 2003–2028, Universidad Autónoma de Madrid. Teneriffa Espacio de los Artes Tea, October 8.

• Hölling, Hanna B. (2026). "Beyond Permanence: Process, Decay, and Museum Futures." Invited lecture, Le Musée palliatif – accueil de la dégradation en contexte de conservation | The Palliative Museum : Welcoming Degradation in a Conservation Context. Concordia University/ University Art Association of Canada, Montreal, October 15.

• Hölling, Hanna B. (2026). Critical Conservation. Invited lecture, New Humanities for the 21st Century, with Rosi Braidotti, Swiss Association for Historical Sciences, infoclio, November 20.

• Hölling, Hanna B. (2026). La conservation après l’événement: activation, créativité, et soin des œuvres. Invited lecture, UQO | Université du Québec en Outaouais, October 16.

• Hölling, Hanna B. (2026). Hand in Hand: Zur Co-Autorschaft der Konservierung im langen Jetzt. Invited lecture, Author:innenschaft Symposium – Farewell to Thomas Gartmann, HKB Bern, September 25.

• Hölling, Hanna B. (2026). Conservation after Permanence: Decay, Critical Ethics and the Future of Heritage. Invited lecture, Decay Without Mourning: Future-Thinking Heritage Practices. Institute of Advanced Studies, Stellenbosch, South Africa.

• Hölling, Hanna B. (2025). Caring for Natureculture. Invited lecture, Cultivating Sustainable Collections: Regenerative and Community-driven Care Practices. Invited lecture, Agnes Center and Queens University, Kingstone, Canada.

• Ingold, Tim and Hanna B. Hölling (2026). Activity and Activation: Tim Ingold in Conversation with Hanna B. Hölling. Activations: A Fluxus Symposium. Bern Academy of the Arts HKB and online, February 27.

• Hölling, Hanna B. (2026). Flux, Fluxus, Fluxism: Conservation after Permanence: Activity and Activation. Activations: A Fluxus Symposium. Bern Academy of the Arts.

• Hölling, Hanna B. (2025). Reassembling Conservation. Invited lecture at IIC/ICOM-CC Routes to Resilience International Conference, December 5, 2025.

• Hölling, Hanna B. (2025). Event, Object, Archive: Critical Approaches to the Conservation of Performance-based Works, invited lecture in “Now Recording: Performance—A Symposium by the Skulptur Projekte Archives,” LWL-Museum für Kunst und Kultur Münster, Germany, December 4-5, 2025.

• Hölling, Hanna B. (2025). Critical Issues in the Conservation of the Moving Image. Invited seminar, MAXXI Museum of Contemporary Art Rome, November 18-19, 2025.

• Hölling, Hanna B. (2024). “Once Upon a Time." Storytelling as Experience in Florence Jung’s Performative Conceptualism. Art as Experience. Swiss Institute for Art Research (SIK-ISEA).

• Hölling, Hanna B. (2023). KEYNOTE: Can Performance Be Conserved? An Introduction to a Contested Field. VII Congresso ANDA, 2023.

• Hölling, Hanna B., and Emilie Magnin. (2023). Writing Performance: On Preservation through Documentation in Performance-Based Works. Invited seminar, Center for Heritage Management and Documentation in Museums, University of Rio de Janeiro, Brazil.

• Hölling, Hanna B. (2023). What Does It Mean to Conserve Performance? Two-day workshop, Musealização da Arte: Poéticas em Narrativas.

• Hölling, Hanna B. (2023). Curating and Conserving Changeability [Invited lecture]. Federal University of Brasília Lecture Series, Brasília, Brazil.

• Hölling, Hanna B. (24 May 2022). KEYNOTE: The Afterlives of Performance. With response by Jules Pelta Feldman, followed by a panel discussion with Mariama Diagne, Shelley Lasica and Felipe Ribeiro. New School, Something Great, Berlin.

• Hölling, Hanna B. (12 June 2022). Transformations and Mediations in Fluxfilm Nr.1 and Fluxus Events. Invited lecture at the symposium of the Summer Institute for Technical Studies in Art, Harvard Art Museums, Harvard University, Cambridge, Mass.

• Hölling, Hanna B. (10 June 2022). Introduction to Performance: Conservation, Materiality, Knowledge. In Four Perspectives, a panel organized by Hanna Hölling, Jules Pelta Feldman, Emilie Magnin and Valerian Valy within Revolving Documents #1: Narrations of the Beginnings of Performance Art, BANG BANG translocal hi:stories of performance art. Museum Tinguely Basel, Switzerland.

• Hölling, Hanna B. (18 November 2022). Can We Talk Post-Preservation? A letter to Nam June Paik. Invited lecture at the National Museum for Modern and Contemporary Art in Seul, South Korea.

• Hölling, Hanna B. (31 March 2021). The Contingencies of Care: On the Conservation of Video and Media Installations. Invited lecture, international symposium Video Festival Locarno 1980-2001, Lausanne University.

• Hölling, Hanna B. (30 April 2021). Response paper to Salvador Muñoz-Viñas: “The Role of Science in the Conservation World: A Naïve Exploration" delivered on the occasion of Brill-Nuncius Seminar, The Making of Conservation Science at Utrecht University.

• Schneider, Rebecca, and Hanna B. Hölling (30 May 2021). KEYNOTE: Not, Yet: When Our Art is in our Hands. With Antiphonal Interludes by Hanna Hölling. International colloquium Performance: The Ethics and the Politics of Care. Bern University of the Arts, Bern.

• Hölling, Hanna B. (10 June 2021). Performance: Vom Weiterleben Flüchtiger Kunst. Invited lecture delivered on the occasion of the Still Alive lecture series. Albertinum Dresden, Germany.

• Hölling, Hanna B. (12 November 2021). Beyond Conservation: Object, Event, Performance in Franz Erhard Walther's Werkstücke. Invited lecture delivered on the occasion of the international symposium Rethinking German Minimalism. Dia Art Foundation, New York City.

• Hölling, Hanna B. Judit Bodor, Andree Sitt, ]performance s p a c e[ (18 November 2021). Curating as Expanded Conservation. Invited lecture and session co-chair delivered on the occasion of Living Archives: A Scottish Research Council Project. Dundee: University of Dundee, Scotland.

• Hölling, Hanna B. (29 November 2021). Post-Preservation: Paik's Virtual Archive, Potentially. Invited lecture delivered on the occasion of the international symposium The Gift of Nam June Paik at the Nam June Paik Arts Center, Giheung-gu, Yongin, South Korea.

• Hölling, Hanna B. (15 February 2020). Feedback and Feedforth: New Approaches to Nam June Paik – a response paper and discussion within a session organized by Gregory Zinman on the occasion of College Art Association Annual Conference, Chicago.

• Hölling, Hanna B. (21 February 2020). Presentation on media conservation, workshop Conservation and Philosophy organized by Tate Modern and Institute of Philosophy, University of London. University of London Institute in Paris.

• Hölling, Hanna B. (26 September 2020). Critical Grounds: Institute for Land and Environmental Art- Introduction to an international conference Critical Grounds: Art and Politics of Landscape. Tenna, Grisons, Switzerland.

• Hölling, Hanna B. (1 October 2020). Ceci n’est pas une Paik: Materiality and Knowledge in the Conservation of Media Art. Invited lecture delivered on the occasion of Paik Soiree, Free University of Amsterdam and Stedelijk Museum (online). Amsterdam.

• Hölling, Hanna B. (1 October 2020). What is Landscape? An introductory lecture, Alps Art Academy International Summer School and Symposium. Tenna, Grisons, Switzerland.

• Hölling, Hanna B. (12 December 2019). Unpacking the Score: Fluxus and the Material Legacy of Intermediality. Invited lecture delivered within the Smithsonian American Art Museum Seminar Series. Smithsonian American Art Museum, Washington, DC.

• Hölling, Hanna B. (14 March 2019). Über die Begriffe der Zeit, Materialität, und Authentizität in Paiks Medienkunst. Invited lecture, Internationale Tagung zu Fragen und Aspekten der Bewahrung und Restaurierung von Medienkunst. Museum of Communication Franfurt, Germany.

• Hölling, Hanna B. (23 April 2019). KEYNOTE: Time and Memory in Fluxus Films, delivered on the occassion of the 5º Seminário de Artes Digitais (SAD) | 5th Seminar for Digital Arts, State University of Minas Gerais/Universidade do Estado de Minas Gerais, Belo Horizonte, Brazil.

• Hölling, Hanna B. (15 April 2019). On Performance, Archive and Conservation. Invited lecture, think tank on performance, media and archives, VALIE EXPORT Center, Linz, Austria.

• Hölling, Hanna B. (10 May 2019). Unity and Diversity: Discipline Formation & Cultures of Expertise - Session chair and concluding remarks, The Making of Art Experience: Discipline Formation & Cultures of Expertise - Artechne international conference. Organized by University of Amsterdam, NICAS and Rijksmuseum and the University of Utrecht.

• Hölling, Hanna B., and Saisha Greyson (22 November 2019). Nam June Paik Global Grove. Art Bites Gallery Talk. Smithsonian American Art Museum, Washington, DC.

• Hölling, Hanna B. (7 November 2018). Die Digitalisierung und Konservierung von Kunst und Kulturgut, seminar delivered in collaboration with Thomas Gartmann, Bern University of the Applied Sciences.

• Hölling, Hanna B. (1 November 2018). Object, Event, Performance: Rethinking Materiality in Fluxus Intermedia. Invited lecture, symposium Kunst und Material: Repräsentation, Stofflichkeit, Prozesse | Art and Material: Representation, Materiality, Processes. SIK-ISEA | Schweizerisches Institut für Kunstwissenschaft | Swiss Institute for Art Research Zürich.

• Hölling, Hanna B. (October 2018). Perpetuating Change, Invited master class on media art and performance, Instituto Moreira Sales, Rio de Janeiro, Brazil.

• Hölling, Hanna B. (June 2018), invited seminar on replication delivered on the occasion of Doctoral Summer Institute for Technical Studies in Art, Harvard Art Museums, Harvard University, Cambridge, MA.

• Hölling, Hanna B. (April 2018). The Medium of Time and Transition, invited master class for MA and PhD students in Technical Art History, Utrecht University.

• Hölling, Hanna B., Juliana Robles de la Pava, Samidha Pusalkar, and Marcello Rechberger. "Critical Conservation 1st Assembly: Communities of Practice." Two-day research event. Bern Academy of the Arts, December 3-4, 2026. With contributions by Roland Alvarez Chavez, Bhumika Balamatti, Cecilia Benedetti, Njabulo Chipangura, Juan A. Chindoy, Francesca Colussi, Lisa Conte, Ben Davenport, Orlando Vieira Francisco, Christine Frohnert, Leticia Gomez Franco, Jane Henderson, Adrian Hernandez, Marina Herriges, Alice Heyward, Hanna B. Hölling, Yumeng Hou, Jiayao Jiang, Muhammad Tehmash Khan, Christopher King, James B. Kuboja, Debra F. Laefer, Haoyi Li, LaStarsha McGarity, Salvador Muñoz-Viñas, Ogechukwu Elizabeth Okpalanozie, Sandeep Pathe, Qianqian Pei, Ellen Pearlstein, Denise Petzold, Samidha Pusalkar, Marcello Rechberger, Juliana Robles de la Pava, Tara Sharma, Maria Siqueira, Victoria Vargas-Downing.

• Hölling, Hanna B. "Caring for Naturecultures: The Cryosphere - A Symposium." Collegium Helveticum: Swiss Institute for Advanced Studies, Zurich, June 10, 2026. With contributions by Jean Chamel, Nathalie Dietschy, Giovanna Di Pietro, Dennis Hansen, Hanna B. Hölling, Johanna Klügl, Kati Lindström, Thomas Reitmaier, Adam Sébire, Philip Ursprung, Ester Vonplon.

• Tim Ingold (2026). "A Return to Nature and Culture." A lecture organized by Hölling within the Caring for Naturecultures research project, February 25, 2026, Collegium Helveticum Zurich.

• Hölling, Hanna B., and Sven Dupré (2025). "Natureculture Lab: An International Think Tank." Bern Academy of the Arts (HKB). With contributions by Ravi Agarwal, Lotte Arndt, Jacob Badcock, Marjolijn Bol, Sven Dupré, Josephine Ellis, Noémie Etienne, Rodney Harrison, Hanna B. Hölling, James Kuboja, Felicity Lunn, Emilie Magnin, Dániel Margócsy, Laura Martin, Juliana Robles de la Pava, Christian Rosset, Munyaradzi Elton Sagiya, Friederike Schäfer, Anna Schäffler, Maartje Stols-Witlox, Aga Wielocha, Jerylee Wilkes Allemann, and Glenn Wharton.

• Hölling, Hanna B., Aga Wielocha, Josie L. Ellis, Inbal Strauss, Magdalena Holdar, Kate Lewis, Hannah Mandel, Peter Oleksik, and Danielle Johnson (2024). "Activating Fluxus, Expanding Conservation." Session at the 112th College Art Association (CAA) Annual Conference.

• Hölling, Hanna B., Aleksandar Mirčev, Jules Pelta Feldman, Emilie Magnin, A. Ademakinwa, Michele Marincola, N. Kroll Hassebroek, L. Zycherman, L. Cohen, G. Andathodiyil, S. Wookey, A. P. Da Silva, F. Werneck Côrtes, C. Valageas, C. Barbut, R. Peabody, M. Krausová, and E. Snijders (2024). "Performance: Conservation, Materiality, Knowledge." Two sessions and a book presentation at the 36th Congress of the Comité International d’Histoire de l’Art (CIHA), Lyon, France.

• von Amelunxen, Hubertus, Monica Maceli, Horst Bredekamp, Clémentine Deliss, Ayesha Fuentes, Patrizio Peterlini, Hanna B. Hölling, Aga Wielocha, and Josie L. Ellis (2023). “Fluxus Fetish: Fluxus Study Day and Public Panel.” Fluxus Fetish.

• Hölling, Hanna B., Hannah Higgins, Gregory Zinman, Andrea Gyorody, Megan Metcalf, and Jules Pelta Feldman (2023). “Book Presentation: Object—Event—Performance: Art, Materiality and Continuity since the 1960s.” Research Wednesday Seminar Series, Bern Academy of the Arts (HKB).

• Robinson, Julia, Hanna B. Hölling, Aga Wielocha, and Josie L. Ellis (2023). “Julia Robinson: Working in the Spirit of Fluxus.” Thursday Lecture Seminar Series, Bern Academy of the Arts (HKB).

• Hölling, Hanna B., Jules Pelta Feldman, Emilie Magnin, Christian Falsnaes, Ivo Feder, Dorota Gawęda, Peter Grau, R. Raymond, and D.-C. Sanvy (2023). “Conserving Performance: Artists Speak.” Third Annual Colloquium of the SNSF research project Performance: Conservation, Materiality, Knowledge, Bern Academy of the Arts (HKB).

• Hölling, Hanna B., Aga Wielocha, Josie L. Ellis, E. Allgaier, Lionel Bovier, E. Gruhn, L. Montanari, A. Gazotti, Patrizio Peterlini, and Hubertus von Amelunxen (2023). “Activating Fluxus: In and Out of the Archive.” Two-day symposium and Fluxus Study Day, Fondazione Bonotto, Italy.

• Hölling, Hanna B., Jules Pelta Feldman, and Emilie Magnin (September 30, 2022). “Conserving Performance: Interdisciplinary Perspectives.” Second Annual Colloquium organized by the SNSF research project Performance: Conservation, Materiality, Knowledge, Bern Academy of the Arts (HKB). With Philip Auslander, Thomas Gartmann, Amelia Jones, Michaela Schäuble, and Dread Scott, featuring a performance by Gisela Hochuli.

• Macdonald, Brandie, Hanna B. Hölling, and Emilie Magnin (May 12, 2022). “Conserving ‘Us’: Caring for Living Heritage and Indigenous Knowledge.” Invited lecture and panel discussion organized by the SNSF research project Performance: Conservation, Materiality, Knowledge, Research Wednesday Seminar Series, Bern Academy of the Arts (HKB).

• Hölling, Hanna B., and Jules Pelta Feldman (March 3, 2022). “Conserving Performance, Performing Conservation.” Session organized at the College Art Association (CAA) Annual Conference, Chicago, USA. With Denise Petzold, Ian Wallace, Paul Couillard, Megan Metcalf, Lauren Rosati, and Limor Tomer.

• Hedinger, Johannes M., and Hanna B. Hölling (August 26–28, 2022). “Learning from the Earth.” Three-day international conference at the Institute for Land and Environmental Art (ILEA), organized on the occasion of the fourth edition of the Alps Art Academy summer school and the environmental biennale Art Safiental, Tenna, Grisons, Switzerland. Keynote speakers: Ursula Biemann, T. J. Demos, and Fernando García-Dory.

• Hölling, Hanna B., Jules Pelta Feldman, Emilie Magnin, and Aga Wielocha (December 21, 2022). “Anna Schäffler: The Art of Preservation.” Invited lecture and panel discussion jointly organized by the SNSF research projects Activating Fluxus and Performance: Conservation, Materiality, Knowledge, Research Wednesday Seminar Series, Bern Academy of the Arts (HKB).

• Hölling, Hanna B., and Aga Wielocha (November 16, 2022). “Natilee Harren: Fluxus Forms of Activation.” Invited lecture and panel discussion organized by the SNSF research project Activating Fluxus, Research Wednesday Seminar Series, Bern Academy of the Arts (HKB).

• Hölling, Hanna B., Jules Pelta Feldman, Emilie Magnin, and Valerian Maly (June 10, 2022). “Performance: Four Perspectives.” In Revolving Documents #1: Narrations of the Beginnings of Performance Art, organized by Sabine Gebhardt Fink, within the exhibition BANG BANG: Translocal Hi:stories of Performance Art, Museum Tinguely, Basel, Switzerland.

• Bishop, Claire, Hanna B. Hölling, Julia Pelta Feldman, and Emilie Magnin (September 21, 2021). “Can Performance Art Be Conserved? Claire Bishop in Conversation.” Invited lecture and panel discussion organized by the SNSF research project Performance: Conservation, Materiality, Knowledge, Research Wednesday Seminar Series, Bern Academy of the Arts (HKB).

• Hölling, Hanna B., Jules Pelta Feldman, Emilie Magnin, and Valerian Maly. (May 30, 2021). “Performance: The Ethics and the Politics of Care.” First Annual Colloquium of the SNSF research project Performance: Conservation, Materiality, Knowledge, Bern Academy of the Arts (HKB).

• Metcalf, Megan, Cori Olinghaus, Hanna B. Hölling, Jules Pelta Feldman, Emilie Magnin, and Valerian Maly. (June 10, 2021). “Living Materials: Ethics and Principles for Embodied Stewardship.” Invited lecture and panel discussion, Research Wednesday Seminar Series, Bern Academy of the Arts (HKB). Organized by the SNSF research project Performance: Conservation, Materiality, Knowledge.

• Hölling, Hanna B., and Johannes M. Hedinger (26-27 September 2020). "Critical Grounds: Art and Politics of Landscape.” Two-day conference Institute for Land and Environmental Art, Tenna, Grissons, Switzerland.

• Hölling, Hanna B. (February 23, 2018). "Object—Event—Performance Art, Materiality, and Continuity since the 1960s." Session organized at the College Art Association 106th Annual Conference in Los Angeles, CA.

• Hölling, Hanna B. and Salvador Muñoz-Viñas (25 June 2018). "Musealization." Panel and discussion on the occassion of the New Approaches in the Conservation of Contemporary Art conference, University of Applied Science, Cologne Institute for Conservation Science.

• Hölling, Hanna B. (4 June 2018). “Born Digital,” panel convened on the occasion of MAPS Media Art preservation, Museum Ludwig, Budapest.

• Hölling, Hanna B., Aga Wielocha, and Josephine L. Ellis (2026) Fluxus Fête: Final events concluding the Activating Fluxus project. HKB Bern and Cabaret Voltaire Zurich, February 25-27, 2026. With contributions by Leire Aranberri, Hubertus von Amelunxen, Judit Bodor, Kit Brooks, Wenting Chen, Josephine Ellis, Ken Friedman, Elke Gruhn, Alessandra Guarascio, Nathan Gruno, Natilee Harren, Johannes M. Hedinger, Hanna B. Hölling, Tim Ingold, Irini Karavouzis, Flora Karetka, Sally Kawamura, Natasha Lushetich, Gregory Maret, Stefanie Manthey, Basile Mudry, Ann Noël, Julien Paccard, Emilie Parendeau, Marcia Reed, Rachel Rivenc, Nicholas Schärer, Caroline Ugelstad, Aga Wielocha, Yannick Wey.

• Hölling, Hanna B., Joanna Lesnierowska, Andrej Mircev, Emilie Magnin, and Charles Wrapner. (2024). Conserving Performance, Performing Conservation: Research Festival and Exhibition, September 14-29, 2024, Tanzhaus Zurich, Aargauer Kunsthaus, Association pour la Danse Contemporaine Geneva, Musée cantonal des Beaux-Arts Lausanne, Dampfzentrale Bern, HKB Bern. Research festival and exhibition concluding the research project Performance: Conservation, Materiality, Knowledge. HKB Bern.

• Hölling, Hanna B., Gokhan Colak, and Marie Green (2026). Art, Heritage Futures and the Ethics of Care: An Interview with Hanna Hölling. [Digital scholarly resource]. PR Carnet World. Series The Living Archive: Conversations on Heritage, Memory, and Transformation (August 28, 2026).

• Hölling, Hanna B., Sven Dupré; Maartje Stols-Witlox, Lindsey Williams (2025) Natureculure Lab: Learning from Each Other - Green Tea Podcast, June 28, 2025. [Digital scholarly resource]. American Institute for Conservation, Sustainability Commitee.

• Hölling, Hanna B., and Tess Taylor. (2024). "Intimate Addresses: Nam June Paik - I Don’t Want to Be Over Whelmed by Glory." [Digital scholarly resource]. Recording Artists: Paik and Tudor—A Podcast from the Getty. The Getty Research Institute.

• Hölling, Hanna B., et al (2021-2024). "Can Performance be Conserved? Two Questions." [Digital scholarly resource]. With Philip Auslander, Laura Anderson Barbata (with A. Mircev), Judit Bodor, Sven Dupré, Ido Feder, Rebecca Gordon, Gruppo EmpreZa (with Bianca Tinoco), Tancredi Gusman, Hannah Higgins, Sherri Irvin, Pip Laurenson, Joanna Leśnierowska, Rachel Rivenc, Sarah Cameron Sunde, Kay Turner, Glenn Wharton.

• Hölling, Hanna B., and Peter Miller (2020). Three Questions with Hanna Hölling. [Digital scholarly resource].

• Hölling, Hanna B., and Domink Landwehr (2020). Zur Theorie der Landschaft. [Digital scholarly resource].

• Hölling, Hanna B., and R. Hock (2017). Paik's Virtual Archive: Interview with Hanna Hölling - ZKM Institut für Bildmedien. [Digital scholarly resource].

• Hölling, Hanna B. (2016). La substance explicite: à propos des croisements de la conservation-restauration avec l’histoire de l’art et les sciences humaines. [Digital scholarly resource]. Retrieved from: https://seminesaa.hypotheses.org/7318

• Hölling, Hanna B. (2017). What is the future of media art? (University of California Blog Post). [Digital scholarly resource]. Retrieved from: https://www.ucpress.edu/blog/tag/hanna-holling/

• Hölling, Hanna B. (2015). Digital Interactive Catalogue: Revisions (No of pieces: 38). Realized as a part of the exhibition Revisions - Zen for Film at Bard Graduate Center Gallery, New York, and made available in a virtual form online.

• Hölling, Hanna B. (2009). On the Afterlife of Performance–The Manifold Afterlife of Performance. [Digital scholarly resource]. Retrieved from: http://www.deappel.nl/exhibitions/e/678

• Critical Conservation - Swiss National Science Foundation (2026-30), https://centerforcriticalconservation.com/

• Activating Fluxus - Swiss National Science Foundation (2022-26), https://activatingfluxus.com/

• Performance: Conservation, Materiality, Knowledge - Swiss National Science Foundation (2020-25), https://performanceconservationmaterialityknowledge.com/

• Steering Committee • Institute Materiality in Art and Culture

• College Art Association • CAA

• Swiss Association of Art Historians • Vereinigung der Kunsthistorikerinnen und Kunsthistoriker in der Schweiz • VKKS

• International Council of Museums Conservation Committee • ICOM CC

• Network for the Conservation of Contemporary Art • INCCA

Affiliated with ETH | The Institute for the Theory and History of Architecture (gta)

in recognition of attainment against the United Kingdom Professional Standards Framework for teaching and learning support in higher education

• PhD Thesis, Jacob Isaac Badcock ‘A Place Called Away?’ Photography and the Limits of Environmental Justice at Agbogbloshie, 2008-2022

• PhD Thesis, Emilie Magnin Institutionalisation and Conservation of Performance

• PhD Thesis, Josephine Lucy Ellis Rethinking the Conservation Object

• PhD Thesis, Françoise Delavy Colour Production in Indigenous Colombian Communities: Identity, Partnership, Territory

• PhD Thesis, Juha Lee Nam June Paik and Robotism

• PhD Thesis, Claudio Hernandez Digital Art Collections, Digital Cultural Heritage and Collective Memory

• English - Native or bilingual proficiency
• German - Native or bilingual proficiency
• Italian - Professional working proficiency
• Polish - Native or bilingual proficiency
• Russian - Elementary proficiency

• Brazil
• United Kingdom
• United States of America
• Netherlands
• Poland